Communiqué de presse
YUAN FANG, YURIE HAYASHI, BAOYING HUANG, ELLIE KAYU NG, MICHELLE NGUYEN, ZHONG TIANYUE & JI WOO KIM. 
 
STEMS gallery is pleased to present Sprout, a group exhibition of paintings by Yuan Fang, Yurie Hayashi, Baoying Huang, Ji Woo Kim, Ellie Kayu Ng, Michelle Nguyen, and Zhong Tianyue, organized by Will Leung. 
Sprout showcases the work of contemporary Asian women painters, who before now have never been exhibited in Europe. The exhibition journeys across styles, from the color field paintings of Zhong Tianyue, to the pirouetting lines of abstract painter Yuan Fang, to explorations of realism. In Ellie Kayu Ng’s paintings, immigrant experience in the United States is documented through dramatic portraits, enhanced by reflections and bold outfits. Ji Woo Kim’s work is a kindred exploration of identity, but where Ng explores power in longing and isolation, Kim’s works often chronicle family belonging. For Baoying Huang, figures are removed for still lives and glistening surfaces, veiled with meaning. In Yurie Hayashi’s work, innovative diptychs combine text, interiors, body parts, and other curiosities in strange combinations, pitched against patterned wallpaper; reminiscent of Surrealism, Hayashi’s presents an interior portraiture of the psyche which converses with the outward experiences of self featured in Sprout. Finally, Michelle Nguyen’s rippling lines and dark backgrounds contain figures of mythic sensibilities, merging visual idioms of ‘East’ and ‘West’ and dissolving them in the process. 
Sprout is a presentation informed by experience, not only identification—all of these painters have begun to make their mark away from their place of birth. Alongside one another, their work speaks to the complexities of belonging and diasporic experience, as well as the generative qualities of such an encounter. Sprout is about what is growing: an irrepressible creativity that takes root in new places, determined to thrive, no matter what. 
Yuang Fang (b. 1996, Shenzhen, China) is a painter who lives and works in New York City. Yurie Hayashi (b. 1991, Gifu, Japan) is a painter based in Saratoga Springs, New York. Baoying Huang (b.1997, Shenzhen, China) is a painter based in New York City. Ji Woo Kim (b.1996, Suwon, South Korea) is a painter based in New York City. Ellie Kayu Ng (b.1998, Hong Kong) is a painter who lives and works in New York City. Michelle Nugyen (b. 1993, Toronto, Canada) is a multidisciplinary artist based in Vancouver, Canada. Zhong Tianyue (b. 1994, Chengdu, China) is an artist based in San Francisco, California. 
Will Leung is a gallerist based in New York City, a founder of Long Story Short, which has locations in New York City, Los Angeles, and Paris. He’s also a co-founder of ATM Gallery in New York City.
Vues de l'exposition
Œuvres
  • Yurie Hayashi Intuition is a Bitch, 2022 Oil on canvas 61 x 91.4 cm. 24 x 36 in.
    Yurie Hayashi
    Intuition is a Bitch, 2022
    Oil on canvas
    61 x 91.4 cm.
    24 x 36 in.
  • Yurie Hayashi Feeling Blue, 2022 Oil on canvas 76.2 x 101.6 cm. 30 x 40 in.
    Yurie Hayashi
    Feeling Blue, 2022
    Oil on canvas
    76.2 x 101.6 cm.
    30 x 40 in.
  • Yurie Hayashi Bless Your Heart, 2022 Oil on canvas 61 x 61 cm. 24 x 24 in.
    Yurie Hayashi
    Bless Your Heart, 2022
    Oil on canvas
    61 x 61 cm.
    24 x 24 in.
  • Yurie Hayashi It’s in the Air, 2022 Oil on canvas 61 x 76.2 cm. 24 x 30 in.
    Yurie Hayashi
    It’s in the Air, 2022
    Oil on canvas
    61 x 76.2 cm.
    24 x 30 in.
  • Ellie Kayu Ng Lonely Together, 2022 Oil on Linen 182.9 x 162.6 cm. 72 x 64 in.
    Ellie Kayu Ng
    Lonely Together, 2022
    Oil on Linen
    182.9 x 162.6 cm.
    72 x 64 in.
  • Ellie Kayu Ng My Train of Thought, 2022 Oil on Canvas 121.9 x 91.4 cm. 48 x 36 in.
    Ellie Kayu Ng
    My Train of Thought, 2022
    Oil on Canvas
    121.9 x 91.4 cm.
    48 x 36 in.
  • Ellie Kayu Ng Stage Fright, 2022 Oil on Canvas 81.3 x 147.3 cm. 32 x 58 in.
    Ellie Kayu Ng
    Stage Fright, 2022
    Oil on Canvas
    81.3 x 147.3 cm.
    32 x 58 in.
  • Ellie Kayu Ng The Grass is Always Greener than the Other Side (Diptych), 2022 Oil on Linen 27.9 x 43.2 cm. (each) 11 x 17 in. (each)
    Ellie Kayu Ng
    The Grass is Always Greener than the Other Side (Diptych), 2022
    Oil on Linen
    27.9 x 43.2 cm. (each)
    11 x 17 in. (each)
  • Michelle Nguyen Marble Hound, 2022 Oil on canvas 25.4 x 20.3 cm. 10 x 8 in.
    Michelle Nguyen
    Marble Hound, 2022
    Oil on canvas
    25.4 x 20.3 cm.
    10 x 8 in.
  • Zhong Tianyue Walk into the Fog II, 2022 Acrylic on canvas 81.3 x 58.4 x 3.8 cm. 32 x 23 x 1 ½ in.
    Zhong Tianyue
    Walk into the Fog II, 2022
    Acrylic on canvas
    81.3 x 58.4 x 3.8 cm.
    32 x 23 x 1 ½ in.
  • Zhong Tianyue Untitled III, 2022 Oil, acrylic, cold wax on canvas 157.5 x 114.3 x 4.4 cm. 62 x 45 x 1 ¾ in.
    Zhong Tianyue
    Untitled III, 2022
    Oil, acrylic, cold wax on canvas
    157.5 x 114.3 x 4.4 cm.
    62 x 45 x 1 ¾ in.
  • Zhong Tianyue Sad Purple Jade III, 2022 Oil, acrylic, cold wax on canvas 123 x 102 x 4 cm. 48 x 40 x 1 in.
    Zhong Tianyue
    Sad Purple Jade III, 2022
    Oil, acrylic, cold wax on canvas
    123 x 102 x 4 cm.
    48 x 40 x 1 in.
  • Ji Woo Kim Across Waters, 2022 Oil on polycotton 132.1 x 182.9 cm. 52 x 72 in.
    Ji Woo Kim
    Across Waters, 2022
    Oil on polycotton
    132.1 x 182.9 cm.
    52 x 72 in.
  • Ji Woo Kim As One , 2022 Oil on canvas 101.6 x 76.2 cm. 40 x 30 in.
    Ji Woo Kim
    As One , 2022
    Oil on canvas
    101.6 x 76.2 cm.
    40 x 30 in.
  • Baoying Huang Glistening days, 2022 Oil on linen 61 x 76 cm. 24 ⅕0 x 29 23/25 in.
    Baoying Huang
    Glistening days, 2022
    Oil on linen 
    61 x 76 cm.
    24 ⅕0 x 29 23/25 in.
  • Baoying Huang Waiting for a new life, 2022 Oil on linen 61 x 76 cm. 24 ⅕0 x 29 23/25 in.
    Baoying Huang
    Waiting for a new life, 2022
    Oil on linen 
    61 x 76 cm.
    24 ⅕0 x 29 23/25 in.
  • Baoying Huang The impossible touch of sizzling lights, 2022 Oil on linen 122 x 91.5 cm. 48 3/100 x 36 ⅕0 in.
    Baoying Huang
    The impossible touch of sizzling lights, 2022
    Oil on linen 
    122 x 91.5 cm.
    48 3/100 x 36 ⅕0 in.
  • Baoying Huang The impossible love of taro, 2022 Oil on linen 122 x 91.5 cm. 48 3/100 x 36 ⅕0 in.
    Baoying Huang
    The impossible love of taro, 2022
    Oil on linen 
    122 x 91.5 cm.
    48 3/100 x 36 ⅕0 in.
  • Yuan Fang Two-lane Road 04, 2022 Signed and dated on the back Acrylic on canvas 183 x 152 cm. 72 x 60 in.
    Yuan Fang
    Two-lane Road 04, 2022
    Signed and dated on the back
    Acrylic on canvas
    183 x 152 cm.
    72 x 60 in.
  • Yuan Fang Two-lane Road 03, 2022 Signed and dated on the back Acrylic on canvas 183 x 152 cm. 72 x 60 in.
    Yuan Fang
    Two-lane Road 03, 2022
    Signed and dated on the back
    Acrylic on canvas
    183 x 152 cm.
    72 x 60 in.
  • Michelle Nguyen Hydra Shedding, 2022 Oil on canvas 30.5 x 22.9 cm. 12 x 9 in.
    Michelle Nguyen
    Hydra Shedding, 2022
    Oil on canvas
    30.5 x 22.9 cm.
    12 x 9 in.
  • Michelle Nguyen Hungry Reliquary, 2023 Oil on canvas 106.7 x 86.4 cm. 42 x 34 in.
    Michelle Nguyen
    Hungry Reliquary, 2023
    Oil on canvas
    106.7 x 86.4 cm.
    42 x 34 in.
  • Michelle Nguyen Cockfight Melee V, 2022 Oil on canvas 91 x 91 cm. 36 x 36 in.
    Michelle Nguyen
    Cockfight Melee V, 2022
    Oil on canvas
    91 x 91 cm.
    36 x 36 in.