Episode 18
Walter Robinson and Adrianne Rubenstein
07.06.2018 - 07.07.2018

Permanent Embrace About his work, Robinson writes : I have paintings of people kissing, I’ve always liked images of passionate romance. And paintings of women with guns, a more recent theme inspired by Donald Trump. I like the nurse paintings especially because they represent a vocation of caring that is modeled speci cally for women, […]

ART BRUSSELS 2018
Tyrrell Winston
18.04.2018 - 22.04.2018

 

Episode 17
Cali Thornhill-Dewitt and New York Sunshine
18.04.2018 - 02.06.2018 | Brussels
MIART 2018
SUSUMU KAMIJO
12.04.2018 - 15.04.2018
INDEPENDENT NEW YORK
AUGUSTIN DELLOYE
08.03.2018 - 11.03.2018

 

Episode 16
Uniclones | MarieVic
18.01.2018 - 24.02.2018

For centuries human beings have claimed to embody exception. We alone in the world of the living have received the gift of speech. And for centuries we have sought to defend the difference, erecting a whole system of science and knowledge on which to found our metaphysical distinction, our attempt to make human life incomparable, […]

NADA MIAMI
Mary Manning | Ann Greene Kelly
06.12.2017 - 10.12.2017

 

Episode 15
SLIP with SARAH FAUX, MARCELA FLORIDO, TSCHABALALA SELF
09.11.2017 - 23.12.2017

A “Slip”: a classic women’s garment, a slinky layer worn against the skin under a dress, usually made of silk and lace. Slips are both tools of seduction and protective barriers that smooth over unwanted attributes. Mimicking the body’s skin, slip knods to slippery meaning: sliding, shifting signi ers of femininity. The three artists in […]

Sunday Art Fair
Paul Yore
05.10.2017 - 08.10.2017
EPISODE 14
Geranium curated by Adrianne Rubenstein
07.09.2017 - 04.11.2017 | Brussels

Stems is pleased to announce Geranium, featuring Al Freeman, Alicia Gibson, Peter Harkawik, Susumu Kamijo, Rainen Knecht, Howard Fonda, Jennie Jieun Lee, Josh Mannis, Annelie McKenzie and Jennifer Rochlin. There is nothing more magical than nature : all the worst places you could end up— apocalyptic desert, prison—are without it. And in such places there […]

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